Purpose

I will try my best to provide detailed info on various cars and what is like to live with them, I have already produced a few for Jaguar-car-forums, I will do my best to be unbiased, but it will be hard for some cars. I will re-produce press releases and copy from other motoring news.
Showing posts with label cartier style et luxe. Show all posts
Showing posts with label cartier style et luxe. Show all posts

Tuesday, 21 June 2016

GOODWOOD - Alpine to showcase the old and the new with the All-New sports car at this years GFoS.

  • Two show cars previewing the all-new Alpine sports car due to be unveiled at the end of this year
  • Strong Alpine presence at the exclusive Cartier Style & Luxe display
  • Three Alpines running up the hill, including the Alpine A460 competition car that won the LM P2 category at the 2016 Le Mans 24 hours
  • Attended by Michael van der Sande (CEO, Alpine) and Antony Villain (Alpine Design Director)
Excitement will continue to build around the legendary French sports car brand Alpine at the 2016 Goodwood Festival of Speed, with no less than two show cars previewing its imminent new road-going sports car.
The Alpine Vision and Alpine Celebration will showcase Alpine’s thinking for this exciting new sports car, the Celebration two-seater regularly running up the Goodwood hill.
Also performing some high speed climbs will be the very Alpine that won outright at the 1978 Le Mans 24 hour race, the victorious Alpine A442 B, alongside its 2016 contemporary – the Alpine A460 that won the LM P2 category at the 2016 Le Mans 24 hours.

Alpine will also enjoy an impressive presence at the Cartier Style & Luxe display on the lawns close to Goodwood House. Not only will the very first Alpine, known as ‘Le Marquis’, be present for inspection, but also the very latest in the alluring shape of the 2016 Alpine Vision show car.
There will be five more fascinating Alpines besides, including a Willys Interlagos, this the Brazilian-built version of the A108 that was the forerunner to the famous A110, as well as a rare A110 cabriolet and the 1977 Meyrignac concept car produced by a budding car designer as the ultimate Curriculum Vitae.
The legendary A110 will also be represented, with a 1964 example that was once the star of a French TV series, as well as the very last A110 ever made.
The presence of all these cars will underline Alpine’s fascinating and illustrious past in glamorously entertaining style, besides heightening the already considerable anticipation of the marque’s soon-to-be-revealed production sports car.
Hillclimb
1978 Alpine A442 B
This is the racecar that won Alpine outright victory in the 1978 Le Mans 24 Hours, with Jean-Pierre Jaussaud and Didier Pironi. Its success was the culmination of five years of work, the A442 B evolving from the first normally-aspirated A440, the A441 and then the turbocharged 442. There were many wins in Sport World Championship events on the way, but plenty of heartache before Alpine’s ultimate goal was scored.
The A442 B was powered by a 2.0 litre turbocharged V6 that enabled it to hit a staggering 223mph on the Mulsanne straight and set what was then the fastest-ever lap time recorded by an Alpine at La Sarthe. On the day of its victory Renault President and CEO Bernard Hanon, who had set Alpine’s Le Mans goal, announced that the team would withdraw from endurance racing to contest Formula One.
2015 Alpine Celebration
This compact, subtly curvaceous sports coupe is both a signal of intent, and an homage to the storied history of Alpine that lies behind it. Created in 2015 to celebrate 60 years of the Alpine sports car brand, this mid-rear engine two-seater is a strong hint at the all-new sports car that Alpine will go on sale in 2017.
The deep blue colour scheme is the same shade that adorns the Alpine prototypes that made a triumphant return to endurance racing in 2013, this livery also referencing earlier Alpines that played such a pivotal role in the brand’s earlier Le Mans adventures between 1963 and 1969.
Of these the A110 coupe is the most famous, and it’s this car whose sculptural ghost can be seen in the Alpine Celebration, from the slender nosed, gently domed and creased bonnet to the inset paneling in its flanks, the distinctively raked D-pillars and the curving wrap of its rear screen.
But the Alpine Celebration flaunts plenty of 21st century features too. Carbon detailing underlines the high-tech features of the car’s body, from its spoiler to the side sills, diffuser, rear air intakes and mirrors. But more than these details it’s the Alpine’s compact form and wide-track stance that are most potently suggestive of the kind of dartingly quick, agile performance that has made legends of these cars.
2016 Alpine A460 LM P2
Alpine sports racing cars have had glittering histories on the racetrack, most notably as outright winners of the Le Mans 24 hour race in 1978 with the Renault Alpine A442 B. The Alpine name was once again victorious in this world famous race, with the A460, winning its LM P2 category in June 2016.
The Signatech-Alpine team has already seen considerable success, winning the 2013 and 2014 European Le Mans Series with the 4.5 litre V8 A450b. The A460 shares the same 550hp engine and six-speed sequential gearbox, but differs in being constructed as a closed coupe rather than an open-roof car in the interests of enhanced driver safety and improved aerodynamic efficiency. It’s the first closed-cockpit Alpine since the A220 of 1969. The A460 also has a new FIA-approved chassis that complies with the 2017 regulations.
In addition to winning the LM P2 category at the 2016 Le Mans 24 Hours, the A460 has so far scored top 10 placings in the first two races of the season and won the LM P2 category at the recent Spa-Francorchamps round with car N°36.  The two cars in the Signatech-Alpine team are identified by national flags: French for the N°36 prototype, and Chinese for the N°35 prototype. The latter will be in the hands of Frenchman Nelson Panciatici – a cornerstone of the team since the programme’s early days in 2013 – and Chinese drivers David Cheng and Ho-Pin Tung. The N°36 car – the number which claimed back-to-back ELMS crowns in 2013 and 2014, as well as a top-three finish in the LMP2 class at Le Mans in 2014 – is shared by Frenchman Nicolas Lapierre, the USA’s Gustavo Menezes and Monegasque Stéphane Richelmi.
Cartier Style & Luxe
1954 Le Marquis
The Alpine marque was born out of one man’s obsession with making his Renault 4CV go faster. The 4CV was a small, rounded, rear-engined and popular machine of quite some charm, and Jean Rédélé reckoned his might go faster still if it wore a lighter and more aerodynamic body.
He turned to the young and hugely talented Italian designer Giovanni Michelotti to help realise his dream, the idea being to have coachbuilders Allemano make the one-off bodywork in aluminium. The 4CV Spécial Sport turned out to be a major giant-killer in the 1953 Dieppe rally.
At much the same Rédélé had become interested in glassfibre technology, had grown keener to become a car manufacturer in his own right and had heard about a wealthy American industrialist by the name of Zark W. Reed. Reed wanted to build plastic-bodied sportscar to sell in the US against MG and Triumph. The two met, and Jean Rédélé devised a plan for Reed’s Plasticar company to build a glassfibre-bodied based on the original version of the Michelotti car called the Marquis. The project ultimately came to nothing, but provided inspiration for the A106, and two “Rédélé Speciales” versions ordered from Italian coachbuilder Allemano.
The car on display at Goodwood is Jean Rédélé’s own 4CV, as rebodied by Allemano to Michelotti’s design. After spending nearly 60 years in the USA as a consequence of the deal with Reed, this flame that lit the Alpine fire was repatriated to France by Jean-Charles Rédélé, the son of Jean.
1954 Alpine A108 Interlagos
Jean Rédélé was not only a successful engine tuner and racing driver, but also a Renault dealer (at only 24, in Dieppe) and a Renault-sponsored business school graduate. As a consequence, his desire to become a small-scale producer of Renault-based sports cars was underpinned with considerable business acumen.
Rédélé quickly appreciated the potential of having a car brand, and planned to develop one based on some key principles. His cars would be innovative, equipped with simple but competitive mechanicals beneath a lightweight, attractive body, whilst using the greatest number of mass-produced parts possible in order to ensure reliability and maintenance costs relative to the car’s performance.
His second aim was to boost his company’s French activities by offering international licences for overseas manufacture. Realising that his cars were relatively straightforward to assemble and that their Renault mechanicals made them reliable and easier to repair, he set about finding partners in markets where Renault was already present. Eventually Alpines would be assembled in Brazil, Spain and Mexico in some quantity, and in smaller numbers in Bulgaria.
Rédélé forged his first agreement with Willys Overland do Brasil, who already produced Dauphines under licence. The aim was to produce local versions of the Alpine A108, badged as the Willys Interlagos. Over an impressive 4-year run between 1962 and 1966, approximately 1,500 examples were produced.
This particular Willys Interlagos was bought in the early 2000s by a French Renault employee working in Brazil. When he returned to France the car came with him, but needed work that he was unable complete. Renault Classic bought it from him, and fully restored it for the Retromobile classic motor show in 2015.
1964 Alpine A110
Unveiled in 1962, A110 is Alpine’s most famous model, but it was essentially an update of the earlier A108. Both shared a similar steel backbone chassis to which a glassfibre body was attached, and both were mechanically derived from popular rear-engined family Renaults. In the A108’s case that was the Dauphine (1956-68), whereas the A110 was based on the later 1963 Renault 8. Technical gains from this updating included an engine with five main bearings rather than three, disc brakes all-round and a radiator repositioned to the rear to improve luggage space.
The Renault 8 engine necessitated a redesign of the rear bodywork to accommodate it, this restyle eliminating the air intakes in the car’s flanks and tidying what had been a fussily complicated moulding for the rear wheel arches. More slender rear pillars, a flatter engine lid and Renault 8 tail lamps produced a more mature and satisfying design that was even prettier than the A108.
That was one of many reasons for the A110s huge success. Around 7500 of these specialist sports cars were made during a 16-year career that saw examples  manufactured in Spain, Mexico and Bulgaria as well as France, while its motorsport achievements included netting the World Rally Championship in 1973 and many other victories besides.
This 1964 Alpine A110 appeared in the 1967 TV series "The Adventures of Michel Vaillant", the star a rally driver who appears in 13 wonderfully nostalgic and cheesy episodes that can be found online.  The car rolls during episode two and despite appearing to suffer little damage, was left unrepaired for decades. During the early 1990s Jean Rédélé and his son Jean-Charles decide to restore the car, but being superstitious, Rédélé senior decided to paint the car in a beautiful metallic grey-blue rather retain its original green.
1965 Alpine A110 cabriolet
The 1962 Alpine A110 Berlinette coupe is by far the best-known version of this famous car, but a year later a 2+2 GT4 coupe and a cabriolet were also unveiled at the 1963 Paris motor show. Although in production for seven years to 1969, only around 30 A110 cabriolets were made – surprising, given how pretty the car is.
This particular example belongs to Alpine itself, and was left in a somewhat unloved state in a corner of the Dieppe plant for many years. Happily, in 2015 it was completely restored by the Classic division, allowing us to wonder once again why so few were sold.
1977 Alpine A110 Berlinette
Being a performance brand, it wasn’t long before Alpine was offering more powerful engines in the A110, especially as the car was showing strong motorsport potential.
The engine options evolved in loose synchronicity with the development of Renault’s own engine range.  The early A110’s were available with a very modest 55bhp 956cc engine (later to sell by the hundreds of thousands in the Renault 5) but it wasn’t long before 66bhp and 95bhp 1108 engines were offered, the latter Gordini tuned. Even 95bhp may not sound much, but it was very effective indeed in a car weighing just 544kg.
By 1966, a 1300 cm3 was available with 105bhp and 120bhp, this coming from the 1255 cm3 of R8 Gordini, and in 1967 Alpine could make use of the 1470cc engine from the new Renault 16. When this engine was enlarged to a 1.6 litres, the 1600S A110 became a 130mph car.
Its highest output emerged in 1972, the Renault 16 TS engine producing 140hp. At this point the A110’s development was at its zenith, as was its motorsport success, the car winning Renault the World Rally Championship in 1973. Even at this point, 11 years after the model was launched, the A110 still had four years of life remaining.
The very last car of a run of 7,176 examples was a 93hp A110 SX.Finished in rare “Norman green”, it was equipped with Alfa Romeo taillights which were specified for some foreign countries (Germany, Switzerland, Italy), though not for France. But because supplies of the correct Renault 8 taillight had been exhausted, this French market car was fitted with them too.
It was delivered new to Jean-Pierre Limondin, an Alpine engineer who used it daily for two years before selling it - and without quite realizing how important this particular car would become. The new buyer fitted it with an 1800cc engine, as used in Group 4 rallying, this more powerful motor remaining with the car for 15 years.
In the early 2000s Limondin decided he would like to try and buy his former car back, together with its carefully preserved original engine, and began a series of long negotiations with its owner. Limondin succeeded three years later, and on 5 September 2009, the last A110 Berlinette was returned to its first owner complete with the original engine.
1977 Alpine A110 Meyrignac
If you’re a budding car designer, what better way to get noticed than to build your own full-size car? That’s what teenager Denis Meyrignac decided in 1969, and set about creating his own sports car. He build a 1/5 scale model of his design which he presented to Alpine boss Jean Rédélé, who was sufficiently impressed that he provided Meyrignac with the chassis and (1600S) mechanicals needed to turn the design into a real car.
There were many setbacks along the way, but Meyrignac’s car was finally displayed at the 1977 Geneva motor show. Apart from the fact that its creation was largely the work of one young man, the prototype startles with its one-piece lift-up canopy that incorporates the doors, roof and windscreen in a single assembly. The car is well received, but Meyrignac’s ambition is not so much about getting the car produced as getting himself hired as a car designer.
And his bold plan succeeds. Meyrignac is initially taken on as a freelance to work for the Renault Formula 1 team before being offered a job by the French Automotive Design Studio SERA. There he contributes to the development of no less than 35 vehicles.
In January this year, Renault Classic discovered that Denis Meyrignac still owned his long abandoned Alpine concept car, and offered to restore it for display at Goodwood as a testament to the passion for Alpine. It’s as dramatic a car today as it must have been in 1977, and all the more so when you consider that it is largely the work of one man, who started on it when he was a teenager.
2016 Alpine Vision
The Alpine Vision, as its name implies, is an exciting foretaste of the new road-going, two-seater sports car that the French sports car marque will unveil at the end of this year. Unveiled in Monaco in February, the Vision is a solid hint at how Alpine’s brand new sports car will look, besides previewing the car’s broad mechanical make-up. As with Alpines past, the powertrain will be mounted behind the passengers in a mid-ships position.
Both the Vision and the car that it previews have been conceived with a series of goals designed both to deliver a great drive, and to extend the dynamic character of Alpine into the 21st century. These include:
  • The exhilaration and thrill of driving an Alpine
  • The agility of a lightweight, elegant design that focuses firmly on the essentials
  • The authenticity of a sports car that follows in a long line of illustrious Alpine models
Fundamental to all these characteristics is the car’s low weight, a key element of every road-going Alpine from the past, as well as a compact and potent engine. In the Vision’s case, this combination allows it to accelerate to 62mph in under 4.5 seconds, and we can expect similar performance from the production version.
The Vision also embodies the thinking behind the design of Alpine’s new sports car, its silhouette, proportions and visual character entirely contemporary but at the same time presenting sculptural echoes from the marque’s illustrious past. Those echoes can be found in the wraparound rear windscreen, the slender, quad-headlight nose and the curvaceous indentations along the Vision’s flanks, all of these referencing both the A108 and A110.
To be manufactured in Dieppe, France at the factory long associated with Alpine, the new sports car will go on sale in 2017, initially in Europe and subsequently across the rest of the world.

Wednesday, 2 July 2014

TMW - GOODWOOD - Cartier Style et Luxe, all the best classics at Goodwood **Picture heavy**

The Goodwood Festival of Speed is not just somewhere to go to see the latest in supercars, or classic race cars along with drivers from all era's, its not just a venue that plays host to a number of manufacturers that want to sell their wears, Goodwood, plays host to the Cartier Style et Luxe each year, where the best of the best  are shown, the mega rare, the pristine mint versions of uber luxurious cars, cars that we can only dream about

And this year was no different, there was a stunning array of Maserati sports cars, one of which, below, won the over all title as best in show, and believe me it was, the paint work was flawless, no dinks, dents or ripples, no bitty chrome, no cracks in the upholstery, this car was perfection, and it was a well deserved win.

We noticed this year that, above all other years, the Hooray Henry's were out in force, the posh, in their stupid clothes and posh voices, they were just everywhere, and it was so annoying as they don't mingle well with the general public, we, are just underlings, that are in the way, and we heard that a few times, I really REALLY hope that this stunning event does not turn into another one of those events that pushes out the man on the street in favour of the champagne swilling, pillocks.

But back to the cars, as your probably aware, I am not to enamoured with US cars, there is only a couple that I like, the rest I find are a waste of space, and a giant waste of limited world resources, and at the show, these cars were in abundance, a two door coupe US car was twice as long as a Mini, in fact the bumper was about a foot wide, these cars with their massive wings, and chrome everything just show massive opulence, and massive waste all in one.

The Mustangs, Camaro and Barracuda were more sedate by comparison, but they still are just over weight, over sized and under engineered, yet it was these cars that garnered the most looks, WHY, there was a stunning set of Mercedes classics, that were as near to mint as possible, and yet there was not many people looking at these awesome cars, this is how cars should be, well, classic ones, like big old classic Rolls from the 40's and 50's. The Maserati was a clear winner, but for me, the Mercs really should have taken some silver home.

Enjoy the pictures below, not all the cars in the Concourse section are here, as some pictures did not come out very well, but you get the picture, so to speak, so please do enjoy.

Overall Winner
Maserati A6 CGS Berlinetta

 1966 BEVERLY HILLS MUSTANG MUSTERO

1970 DODGE CHALLENGER T/A

 1967 MERCURY COUGAR XR-7


1968 FORD GT

 1968 CHEVROLET CAMARO


 1964 1/2 MUSTANG CONVERTIBLE



PEUGEOT 907 CONCEPT 

 1966 SHELBY MUSTANG GT-350


1994 LISTER STORM


1994 MARCOS


 2011 BRISTOL FIGHTER


 TVR CERBERA SPEED 12

1958 DESOTO FIRESWEEP CONVERTIBLE

1960 LINCOLN CONTINENTAL MKV



 1958 MERCURY PARK LANE CONVERTIBLE

 1958 CADILLAC ELDORADO BIARRITZ CONVERTIBLE

 
 1970 MAZDA RX-500 Concept
 1935 500K CABRIOLET B ERDMANN & ROSSI

 1935 500K CABRIOLET A

 1933 380K ROADSTER ERDMANN & ROSSI

 1928 36/220 S

 1965 PLYMOUTH BARRACUDA

TMW - Jon Mower

Wednesday, 12 June 2013

Goodwood's Cartier Style et luxe concours d'elegance to surprise and wow again

Now in its 19th consecutive year at the Goodwood Festival of Speed and Moving Motor Show, the annual Cartier ‘Style et Luxe’ concours d’elegance has gathered hundreds of the world’s finest, most beautiful, valuable, distinctive and sought-after cars over the years, all competing for the coveted Overall Winner award, as voted by a distinguished panel of judges.

This year the Cartier ‘Style et Luxe’ is set to be truly exceptional as Goodwood celebrates the 20th anniversary of the Festival of Speed.  In line with the 2013 Festival ‘Best of the first 20 years’ theme, the eight vehicle classes and cars on display at Goodwood will reflect many of the greatest machines that have graced the tranquil Cartier Lawn over the last two decades.
The Cartier vehicle classes will be made up of around 50 beautiful cars, plus one spectacular and memorable beast, only seen at Goodwood once before!  The eight classes will include a number of striking pre-War decedent automobiles, including the stunning 1929 Bugatti Type 41 ‘Royale’ with Coupe de Ville coachwork by Binder, plus an unusual coachbuilt Vauxhall 30/98, to help mark the centenary of Britain’s 100 mph car. 
A mouth-watering array of pre-War streamlined automotive art will include a beautiful 1938 Bugatti Type 57S Atlantic, plus a real beast; the one-off Phantom Corsair that first came to Goodwood in 2006, when it proceeded to gently move across the Cartier lawn by itself in the middle of the night with the engine off, the car in gear, and the handbrake firmly on!  The aptly-named Phantom was a six-seater coupe designed by Rust Heinz of the famous Heinz (57 Varieties) family.  Built in 1938, Rust Heinz lost his life in a car crash the following year, and many subsequent guardians of the Phantom have meet with unusual and untimely ends, leading to the car often being labeled as cursed!
Post-War beauties will include a class of sublime 1950s grand tourers, such as the one-off 1954 Fiat Turbina and 1955 Ferrari 250 GT Competition Tour de France Speciale, as well chic drop tops for the rich and famous, including a 1954 Maserati A6 GCS Frua and rare Jaguar XKSS. 

A class of Sixties Sensations will include a number of iconic favourites, from Aston Martin, Ferrari, Jaguar and others, whilst a class of 911 derivatives will help celebrate the legendary Porsche’s 50th anniversary.
The two final classes will see an unparalleled selection of rarely-seen concept cars and pin-up supercars from the past 50 years, ranging from Peugeot and Vauxhall, to McLaren and Lamborghini.  Full details of all of the vehicles set to compete for the prestigious Cartier ‘Style et Luxe’ Best of Show award will be confirmed over the coming weeks, along with the list of distinguished judges.
During the Festival weekend, a visit to the Cartier ‘Style et Luxe’ is made all the more enjoyable by a superb soundtrack of live jazz playing on the bandstand on Saturday and Sunday, making this is an unmissable occasion for anyone who appreciates the inherent creative magnificence of great automobiles.